Roberto Alagna est Pagliacci. Quelles que soient les dates de ses interprétations, il est toujours exceptionnel . Quand il chante avec Aleksandra Kurzak, ils forment un duo magnifique sur le plan vocal et dramatique!
Thats the exact reason why I love opera - It shows unbelievable greatness of capabilities possible only for humans through incredible number of complicated things combined in one moment... And the meaning comes first, text, music, acting, stage setting and singing comes after to show that meaning in the best way possible. Thats just majestic
Wow! We’re so used to hear heavier voices singing Canio but Alagna is truly amazing in this video. Kudos for the soprano and the stage director. Makeup, acting, etc. we’re great, convincing and moving. It really gave me goosebumps!
Vu à NYC au MET dans une autre production en janvier dernier avec Aleksandra Kurzak. Roberto Alagna y était tout aussi exceptionnel dans ce rôle. Un très beau souvenir. Quel talent!
When he came to Philadelphia we were very excited. But, Many singers and soloists came to see him. We all were looking at each other with disappointment. Philadelphia Academy of music.
More than any other style of opera, verismo operas like pagliacci REQUIRE emotionalism from the artists. Pavarotti said canio was good on recordings but his live left slot to be desired....alagnas voice is lesser than in years past but this is desk Monaco style pagliacci...wonderful.
I agree with alexgomez2. An amazing performance for both principles. Scary and poignant. Check out Placido and Teresa Strata's performance. Who is scarier? I think maybe the latter but not by much. It is all opera after all.
Also check out Pavarotti's video of the same opera. At the end, after Canio killed both Nedda and Silvio, the look of sorrow and compassion on his face was unexpected and quite moving. He sang this part so well himself. Well, he was Pavarotti, after all.
Pavarotti's voice wasn't the right one for that type of music.....much better performances out there. Alagna's does certainly not belong into that group.
@@ilecier pav is clown, poor squeaker! Good perfomances? 🤣 A lot of! Corelli, Monaco, even Gigli, Stefano, Ceccele! Check out non pagliaccio non son version of Corelli and pav. Mosquito just a poor parody, Corelli a high lvl!
I loved that performance of Canio by Pavarotti. You are right about the look on Canio's face after those murders. He seemed to realize the depth of what he had done. Also see Domingo's performance of the same opera. When he tripped over a stool and fell while singing, not losing a beat, he showed true professionalism. Don't you just love opera?
Yes! Standing to the news that was the inspiration for Leoncavallo's Pagliacci, the guy who was cheated by his wife, after he murdered the lover of the wife, he killed himself.
@@guidogreco341 del monaco é inadatto invece per questo repertorio, qui serve verismo non eroismo, e va bene sia voce drammatica, che la vocalità del maestro Alagna.
@@davidecostanzo8925 Maestro Muti..Allagna adatto per la Travitata-La boheme..non certo per ruoli che richiedono un maggiore spessore(intervista di 10 anni orsono)....Pagliacci-Otello-Andrea Chenier...qui non si tratta di gusti IlBuonAlagna tenore lirico/leggero in questi ultimi anni si è cimentato in opere che ne hanno leggermente minato la sua stupenda voce...Del MOnaco è stato riconosciuto come uno dei più grandi interpreti nel ruolo di Canio..i Corelli Cecchele Bonissoli...potranno suffragare quello che dico..Alagna lo paragono al Carreras giovane,voce sublime,ma di certo fuori ruolo in determinate opere
He has one of the worst wobbles I've ever heard. What a pity, too, as he was a pretty good lyric tenor back in the 90s. I suppose it's what happens when a lyric voice desperately wants to be a dramatic.
@@alleviation91 no, it because of technique and yes, he was a wobble since the very begining. With diffect in his singing like hvor, who was a disaster too. But Alagna got a beauty voice, he can do better, eluminate diffect, but not a perfect technique ruined his voice and wrong repertoire since starting = cracked finally voce
Это шоу,он достаточен во всех смыслах для шоу,но не более того .А его вокальная несостоятельно в драматическом репертуаре была слышна очень давно,нельзя сделать то ,что сумел сделал Джильи,тем не менее это один раз можно послушать .
Потрясающе!!!
Великолепно!!!🎉🎉🎉🎉👏👏👏🌹🌹🌹🌹🌹🌹♥♥♥♥🌹🌹🌹
Roberto Alagna est Pagliacci. Quelles que soient les dates de ses interprétations, il est toujours exceptionnel . Quand il chante avec Aleksandra Kurzak, ils forment un duo magnifique sur le plan vocal et dramatique!
Un merveilleux ténor et un excellent comédien pour notre plus grand plaisir
per me questa di Roberto Alagna e' una ottima performance
L'accompagnamento orchestrale è magistrale, riesce a far galleggiare la voce....
Thats the exact reason why I love opera - It shows unbelievable greatness of capabilities possible only for humans through incredible number of complicated things combined in one moment... And the meaning comes first, text, music, acting, stage setting and singing comes after to show that meaning in the best way possible. Thats just majestic
Wow! We’re so used to hear heavier voices singing Canio but Alagna is truly amazing in this video. Kudos for the soprano and the stage director. Makeup, acting, etc. we’re great, convincing and moving. It really gave me goosebumps!
Magnífico, magnífico
Alagna!!!!
Vu à NYC au MET dans une autre production en janvier dernier avec Aleksandra Kurzak. Roberto Alagna y était tout aussi exceptionnel dans ce rôle. Un très beau souvenir. Quel talent!
I just remember seeing videos of him getting booed at La Scalia years ago in Aida. It’s like relax he is great.
I seriously think I have watched this 2352 times. I have yet to find an interpretation that moves me more than Alagna.
Again, I'm watching...I keep coming back to this, many many times...
If you're interested, available as DVD through Amazon
You counted them? But you were right about the significantly wonderful performance of Alagna's.
Try Corelli, Del monaco
Try Del Monaco. Worlds apart!
Per una volta riconosco il temperamento isoleano ....mes compliments , un autre ilien....de corse.bravo!
When he came to Philadelphia we were very excited. But, Many singers and soloists came to see him. We all were looking at each other with disappointment. Philadelphia Academy of music.
Jamais été déçue.
I love his make up!! He's truly scary he looks like the Joker from Batman
Sono personaggi e cantanti affascinanti. Sono dei miti
I think at least one thousand of the 29k views are mine. Amazing!
Great. I saw him at the movie theater in Don Carlo from the Met. Amazing performance here.
Excelente Alagna
God he has gorgeous hair.
He really is very good,a lyric singing a dramatic role,but does it very well,as did gigli,bjoerling,my own favourites are del monaco,corelli,vickers
Such incredible performances. I've never seen Canio so psychopathic.
Bravissimi!!!
Es maravilloso!! Bravo
❤️❤️❤️❤️❤️❤️👍👍👍👍👍👍
Wonderful acting and singing! I believe that Alagna's rendition as Canio is even superior to Pavarotti's and Domingo's. Truly great!
i still think that Domingo's rendition as Canio is better but not too much
This is the real BSO for the Joker :- 1
More than any other style of opera, verismo operas like pagliacci REQUIRE emotionalism from the artists. Pavarotti said canio was good on recordings but his live left slot to be desired....alagnas voice is lesser than in years past but this is desk Monaco style pagliacci...wonderful.
4:30 to 5:12 always gets me
Same!!! When the melody goes "Va non merti il mio duol!" It''s so like, Exciting!
Did Canio have the knife himself? I've seen in other performances that I think it was Taddeo who gave him the knife. Which is right?
Shirley Rombough Tadeo gives Cannio the knife
Thanks, Alexandra Segundo. I thought that was the case. He just slipped it into his hand.
I agree with alexgomez2. An amazing performance for both principles. Scary and poignant. Check out Placido and Teresa Strata's performance. Who is scarier? I think maybe the latter but not by much. It is all opera after all.
anyone have more info on this performance? Who is starring with Alagna? Where and when was this performance?
I found out this is from the version staged and directed by David and Frederico Alagna. I believe it was 2008 or 2009...
Love Music thethemesoflaura.blogspot.com/2018/04/pourquoi-me-reveiller.html
Also check out Pavarotti's video of the same opera. At the end, after Canio killed both Nedda and Silvio, the look of sorrow and compassion on his face was unexpected and quite moving. He sang this part so well himself. Well, he was Pavarotti, after all.
He squeaks so badly, poor mosquito dying, no resosance with music, even alagna much better than that crack disaster!
Pavarotti's voice wasn't the right one for that type of music.....much better performances out there. Alagna's does certainly not belong into that group.
@@Monnarchmonnarchy You are bashing Pavarotti, Alagna. An example for a good performance?
@@ilecier pav is clown, poor squeaker! Good perfomances? 🤣 A lot of! Corelli, Monaco, even Gigli, Stefano, Ceccele! Check out non pagliaccio non son version of Corelli and pav. Mosquito just a poor parody, Corelli a high lvl!
I loved that performance of Canio by Pavarotti. You are right about the look on Canio's face after those murders. He seemed to realize the depth of what he had done. Also see Domingo's performance of the same opera. When he tripped over a stool and fell while singing, not losing a beat, he showed true professionalism.
Don't you just love opera?
La Comedia E Finita!!!
What is the name of the female singer?
Did Canio kill himself here? He was grabbing his stomach in pain after he killed Silvio. It seemed Canio turned the knife on himself. Is that right?
Yes! Standing to the news that was the inspiration for Leoncavallo's Pagliacci, the guy who was cheated by his wife, after he murdered the lover of the wife, he killed himself.
1:33
Ok ... but the soprano ... what its her name???
Yeah, need to check her, not bad yes???
This is unique, he comes off as crazy as the mother fucking joker himself!!!!!!!!! LMAO
Se lió parda ¿eh?
vocalità poco adatte à questo repertorio.
non mi piace affatto.
Vocalità molto azzeccata invece
@@davidecostanzo7250 Non ha quella voce drammatica che richiede il ruolo.comunque una voce stupenda...(vedi Pertile/Del MOnaco)
@@guidogreco341 del monaco é inadatto invece per questo repertorio, qui serve verismo non eroismo, e va bene sia voce drammatica, che la vocalità del maestro Alagna.
@@guidogreco341 poi ognuno i suoi gusti, del monaco, Pavarotti ,Alagna grandi artisti
@@davidecostanzo8925 Maestro Muti..Allagna adatto per la Travitata-La boheme..non certo per ruoli che richiedono un maggiore spessore(intervista di 10 anni orsono)....Pagliacci-Otello-Andrea Chenier...qui non si tratta di gusti IlBuonAlagna tenore lirico/leggero in questi ultimi anni si è cimentato in opere che ne hanno leggermente minato la sua stupenda voce...Del MOnaco è stato riconosciuto come uno dei più grandi interpreti nel ruolo di Canio..i Corelli Cecchele Bonissoli...potranno suffragare quello che dico..Alagna lo paragono al Carreras giovane,voce sublime,ma di certo fuori ruolo in determinate opere
Awful singing by alagna. Soprano not bad, you can listen her.
You can listen to her. Jealousy is sensed in regard to Mr. Alagna. He is a world class artist who does a great job.
@@jimmypovilasphil 😂😂😂 word class 🤣🤣🤣 great job! 🤣🤣🤣
He has one of the worst wobbles I've ever heard. What a pity, too, as he was a pretty good lyric tenor back in the 90s. I suppose it's what happens when a lyric voice desperately wants to be a dramatic.
@@alleviation91 no, it because of technique and yes, he was a wobble since the very begining. With diffect in his singing like hvor, who was a disaster too. But Alagna got a beauty voice, he can do better, eluminate diffect, but not a perfect technique ruined his voice and wrong repertoire since starting = cracked finally voce
@@Monnarchmonnarchy you are trying to understand the crap you wrote
Это шоу,он достаточен во всех смыслах для шоу,но не более того .А его вокальная несостоятельно в драматическом репертуаре была слышна очень давно,нельзя сделать то ,что сумел сделал Джильи,тем не менее это один раз можно послушать .